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After 16 years of marriage ends with him running away and vanishing into thin air. The wife goes in search of him, but instead of finding him, he ends up in various perversions, eventually reaching suicide.

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The Tuscan Giuseppe, after a lifetime spent working in a company in Biella, reaches the well-deserved retirement; but soon he is forced to confront the boredom of retired life.

First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’

From the Politeama Theater in Catanzaro, a concert dedicated to Renata Tebaldi. The Calabria Philharmonic Orchestra, tenor Dario Di Vietri, and soprano Daria Masiero, conducted by Maestro Filippo Arlia, perform works by Puccini, Mascagni, Verdi, and Donizetti.

Official video-clip of Caparezza's song “Chi se ne frega della musica“.

“Being a composer means sharing joy and love for the possibility of harmony, at least in music,” says Pēteris Vasks, who celebrates his 70th birthday in 2016. He lives two parallel lives: one with the music that is born in his head, and the other – an everyday life, like any of us. The film crew takes a look at the composer's life from the creation of a piece of music to its premiere. It tells of the inspiration that the composer draws from the wonderful nature of Latvia, his childhood in a pastor's family during the Soviet era, and his inexhaustible joy of life. "The world must remain in balance so that we do not all fall into the abyss. The evil, aggressive and brutal, and that which is created by the power of love, faith and conviction... The less time I have left, the more I have to focus on the main thing – the affirmation of love."